Corinne Botz is a visual artist and educator based in New York whose practice encompasses photography, writing, and filmmaking. A sustained focus on space, gender and the body, particularly relating to women’s experiences, is central to her practice. Her published books combining photography and writing include The Nutshell Studies of Unexplained Death (Phaidon/Monacelli Press, 2004), Haunted Houses (Phaidon /Monacelli Press, 2010), and Milk Factory (Fall 2025).
Botz’s photographs have been internationally exhibited at such institutions as the Brooklyn Museum, Museum of Art and Design, Museum of Contemporary Photography, Chicago, Illinois; Kunstmuseum Basel, Basel, Switzerland; Wurttembergischer Kunstverein, Stuttgart, Germany; Wellcome Collection, De Appel, Amsterdam; and Turner Contemporary, Margate, UK. She has had solo exhibitions at Hudson Hall (upcoming), Benrubi Gallery, and Bellwether Gallery in New York City; Alice Austen House, Hemphill Fine Arts in Washington D.C. and RedLine Gallery in Denver, Colorado. Her work has been reviewed in publications such as The NewYork Times, Foam Magazine, Bookforum, Art Papers, Modern Painters, Washington Post, The Boston Globe, The Village Voice, Exit, Slate, Time: Lightbox and Ciel Variable.
Botz earned her BFA from Maryland Institute, College of Art and her MFA from Milton Avery School of the Arts, Bard College. She is the recipient of residencies at Skowhegan School of Painting and Sculpture; Atlantic Center for the Arts; Akademie Schloss Solitude and Lower Manhattan Cultural Council. Her Oscar-qualifying short film Bedside Manner (2016) won the Grand Jury Prize at DOC NYC. She has received grants from New York Foundation for the Arts and the Jerome Foundation. Botz is on the faculty of International Center of Photography and John Jay College of Criminal Justice (CUNY).
